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	<title>Lorna Phillips</title>
	<link>https://lornaphillips.co.uk</link>
	<description>Lorna Phillips</description>
	<pubDate>Fri, 20 Sep 2024 14:41:12 +0000</pubDate>
	<generator>https://lornaphillips.co.uk</generator>
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		<title>Home</title>
				
		<link>https://lornaphillips.co.uk/Home</link>

		<pubDate>Sun, 07 Jun 2020 16:17:50 +0000</pubDate>

		<dc:creator>Lorna Phillips</dc:creator>

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I’m an artist based in Leadhills in the South of Scotland exploring places often through using clay. I’m interested in the sourcing of materials and what that can reveal about landscapes.
I work with a lot of local clays and look into the location’s anthropological history.




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		<title>Portfolio</title>
				
		<link>https://lornaphillips.co.uk/Portfolio</link>

		<pubDate>Fri, 15 Sep 2023 20:16:52 +0000</pubDate>

		<dc:creator>Lorna Phillips</dc:creator>

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		<title>CV</title>
				
		<link>https://lornaphillips.co.uk/CV</link>

		<pubDate>Tue, 12 Jul 2022 15:51:49 +0000</pubDate>

		<dc:creator>Lorna Phillips</dc:creator>

		<guid isPermaLink="true">https://lornaphillips.co.uk/CV</guid>

		<description>

					
				
			
		
	



	I’m an artist based in Leadhills in the South of Scotland exloring places often through using clay. I’m interested in the sourcing of materials and what that can reveal about landscapes.I work with a lot of found local clays and create work that is tied to the location’s anthropological history.



	




Download:
Lorna Phillips CV.pdf

Contact:
lorna.phillips1708@gmail.com

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		<title>Villa Sonnenberg Residency 2024</title>
				
		<link>https://lornaphillips.co.uk/Villa-Sonnenberg-Residency-2024</link>

		<pubDate>Fri, 20 Sep 2024 14:41:12 +0000</pubDate>

		<dc:creator>Lorna Phillips</dc:creator>

		<guid isPermaLink="true">https://lornaphillips.co.uk/Villa-Sonnenberg-Residency-2024</guid>

		<description>
	←


	
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Villa Sonnenberg Residency, Switzerland
Artist residency at Villa Sonnenberg, in Lenzburg, Switzerland for three months from September to November 2024.
Creative Scotland generously supported this project through the Open Fund for Individuals.
The residency involved using local wild clays, exploring the prehistoric artefacts of moonhorns, facilitating a workshop for local people to make with the clays, and showing an exhibition of sculptures made that explore the local landscape and it’s social history.





	
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</description>
		
	</item>
		
		
	<item>
		<title>Smoke Fired Trio 2024</title>
				
		<link>https://lornaphillips.co.uk/Smoke-Fired-Trio-2024</link>

		<pubDate>Fri, 20 Sep 2024 14:40:56 +0000</pubDate>

		<dc:creator>Lorna Phillips</dc:creator>

		<guid isPermaLink="true">https://lornaphillips.co.uk/Smoke-Fired-Trio-2024</guid>

		<description>
	←


	
&#60;img width="1200" height="857" width_o="1200" height_o="857" data-src="https://freight.cargo.site/t/original/i/79a498d93f993abdef4f7919093dadffbd6bfbfed39230c347fd23deb2d1b5b6/DSC02073.jpeg" data-mid="218409695" border="0"  src="https://freight.cargo.site/w/1000/i/79a498d93f993abdef4f7919093dadffbd6bfbfed39230c347fd23deb2d1b5b6/DSC02073.jpeg" /&#62;
&#60;img width="1200" height="857" width_o="1200" height_o="857" data-src="https://freight.cargo.site/t/original/i/409043d3ee9ce68532018f09799817976c6ec26c770f18a2cd7edbcffb49076f/DSC02057.jpeg" data-mid="218409692" border="0"  src="https://freight.cargo.site/w/1000/i/409043d3ee9ce68532018f09799817976c6ec26c770f18a2cd7edbcffb49076f/DSC02057.jpeg" /&#62;
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&#60;img width="1200" height="857" width_o="1200" height_o="857" data-src="https://freight.cargo.site/t/original/i/d72e6f57166272783716571dd2f7616b82cc833162f567d6e9693acf7d901560/DSC02075.jpeg" data-mid="218409696" border="0"  src="https://freight.cargo.site/w/1000/i/d72e6f57166272783716571dd2f7616b82cc833162f567d6e9693acf7d901560/DSC02075.jpeg" /&#62;
&#60;img width="1200" height="857" width_o="1200" height_o="857" data-src="https://freight.cargo.site/t/original/i/bee22726f30dc38774abc6fa63eef477680ab04a4eec07654af4367a1908e628/DSC02065.jpeg" data-mid="218409693" border="0"  src="https://freight.cargo.site/w/1000/i/bee22726f30dc38774abc6fa63eef477680ab04a4eec07654af4367a1908e628/DSC02065.jpeg" /&#62;



	Smoke Fired Trio2024
Top left to top right:
 Sunk, 20cm x 16cm x 6cm&#38;nbsp;
Pockets, 10cm cube&#38;nbsp;
Split, two part 10cm cube&#38;nbsp;

All smoke fired terracotta slipped in Dufftown clay.

</description>
		
	</item>
		
		
	<item>
		<title>Dunragit Spring Fling 2024</title>
				
		<link>https://lornaphillips.co.uk/Dunragit-Spring-Fling-2024</link>

		<pubDate>Fri, 20 Sep 2024 14:40:31 +0000</pubDate>

		<dc:creator>Lorna Phillips</dc:creator>

		<guid isPermaLink="true">https://lornaphillips.co.uk/Dunragit-Spring-Fling-2024</guid>

		<description>
	←



	
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&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/82c4f8d5be98bf239ed76300c7032354dd5fb92ed26ba8584e12a6b52be433e8/DSC01844.jpeg" data-mid="218408094" border="0"  src="https://freight.cargo.site/w/1000/i/82c4f8d5be98bf239ed76300c7032354dd5fb92ed26ba8584e12a6b52be433e8/DSC01844.jpeg" /&#62;
&#60;img width="1200" height="857" width_o="1200" height_o="857" data-src="https://freight.cargo.site/t/original/i/c705f6a185531b0d8bd4bef4e8f89defce1b556802968bfcb6c3956af51757f5/DSC01857.jpeg" data-mid="218408096" border="0"  src="https://freight.cargo.site/w/1000/i/c705f6a185531b0d8bd4bef4e8f89defce1b556802968bfcb6c3956af51757f5/DSC01857.jpeg" /&#62;
&#60;img width="1200" height="857" width_o="1200" height_o="857" data-src="https://freight.cargo.site/t/original/i/b91bf00e8e4e56b85d1dd0a43bbcf93fb31742b345f503980512f346bab8313d/DSC01865.jpeg" data-mid="218408097" border="0"  src="https://freight.cargo.site/w/1000/i/b91bf00e8e4e56b85d1dd0a43bbcf93fb31742b345f503980512f346bab8313d/DSC01865.jpeg" /&#62;
&#60;img width="1200" height="857" width_o="1200" height_o="857" data-src="https://freight.cargo.site/t/original/i/04958e726ebe75b21285147630c1975ba8e56fd6f32b7c6abaf3cfc3542604ff/DSC01877.jpeg" data-mid="218408101" border="0"  src="https://freight.cargo.site/w/1000/i/04958e726ebe75b21285147630c1975ba8e56fd6f32b7c6abaf3cfc3542604ff/DSC01877.jpeg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/8869a4f726ae7a621ec357a714c8bc86f982298b07edebca293f0a2b6391e619/DSC01895.jpeg" data-mid="218408102" border="0"  src="https://freight.cargo.site/w/1000/i/8869a4f726ae7a621ec357a714c8bc86f982298b07edebca293f0a2b6391e619/DSC01895.jpeg" /&#62;


	Dunragit
2024
A body of work produced as a result of studying the prehistoric artefacts of Dunragit on Luce Bay in Galloway. Using wild clay from the area. The series of small pots were pit fired and made using prehistoric techniques. This work marks the beginning of an investigation into the prehistoric ceremonial landscapes of Galloway, their communities and material culture.
The work was shown as part of Spring Fling 2024 as a result of receiving Upland’s Emerge Bursary.


	
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/44a78e7627da0cfdafdcdb2d239b8ae46fd2d208af9a7ef59b38ba82d31718fa/DSC01923.jpeg" data-mid="218408103" border="0"  src="https://freight.cargo.site/w/1000/i/44a78e7627da0cfdafdcdb2d239b8ae46fd2d208af9a7ef59b38ba82d31718fa/DSC01923.jpeg" /&#62;
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&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/3a6eff8377894e35e27944996f1bc00383c1c7a50b817118da1d2af488bbb92d/DSC01954.jpeg" data-mid="218408111" border="0"  src="https://freight.cargo.site/w/1000/i/3a6eff8377894e35e27944996f1bc00383c1c7a50b817118da1d2af488bbb92d/DSC01954.jpeg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/dfee2f6f6b29d7ac815471225048ecee23c8ca23875344fc73bae5fbddbba21a/DSC01956.jpeg" data-mid="218408112" border="0"  src="https://freight.cargo.site/w/1000/i/dfee2f6f6b29d7ac815471225048ecee23c8ca23875344fc73bae5fbddbba21a/DSC01956.jpeg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/e71115da3294de773f7fdfce1b215e398ffb1d08b9feada73d71d65acf314365/DSC01960.jpeg" data-mid="218408113" border="0"  src="https://freight.cargo.site/w/1000/i/e71115da3294de773f7fdfce1b215e398ffb1d08b9feada73d71d65acf314365/DSC01960.jpeg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/3bd5fc8804faec1978e9ff49a24c84827e190544565076b218d41af65f27e6ea/DSC01962.jpeg" data-mid="218408114" border="0"  src="https://freight.cargo.site/w/1000/i/3bd5fc8804faec1978e9ff49a24c84827e190544565076b218d41af65f27e6ea/DSC01962.jpeg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/0ee3df5a8564fab90d468bbe62b7301d861ee135616defdc51c32dff2d8fd88b/DSC01963.jpeg" data-mid="218408115" border="0"  src="https://freight.cargo.site/w/1000/i/0ee3df5a8564fab90d468bbe62b7301d861ee135616defdc51c32dff2d8fd88b/DSC01963.jpeg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/1e4f639ced6a306614b006bd9758f39078b64e1fcc8c58209037486f62db617a/DSC01965.jpeg" data-mid="218408116" border="0"  src="https://freight.cargo.site/w/1000/i/1e4f639ced6a306614b006bd9758f39078b64e1fcc8c58209037486f62db617a/DSC01965.jpeg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/1ec54da46f315a15d82bb5296d834b47ddb3673ef45c0b3dac89d5c062be1641/DSC01966.jpeg" data-mid="218408117" border="0"  src="https://freight.cargo.site/w/1000/i/1ec54da46f315a15d82bb5296d834b47ddb3673ef45c0b3dac89d5c062be1641/DSC01966.jpeg" /&#62;
&#60;img width="1200" height="1200" width_o="1200" height_o="1200" data-src="https://freight.cargo.site/t/original/i/516070f4844a20a099840746db9af05b3664c587eebc1b19ec61dd8af98ee1dd/DSC01967.jpeg" data-mid="218408118" border="0"  src="https://freight.cargo.site/w/1000/i/516070f4844a20a099840746db9af05b3664c587eebc1b19ec61dd8af98ee1dd/DSC01967.jpeg" /&#62;



	


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&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/68a308309a8a630905f222e65f9b9541cb44a3363b6b380ca85a1c6842bf75e9/DSC01974.jpeg" data-mid="218408122" border="0"  src="https://freight.cargo.site/w/1000/i/68a308309a8a630905f222e65f9b9541cb44a3363b6b380ca85a1c6842bf75e9/DSC01974.jpeg" /&#62;
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</description>
		
	</item>
		
		
	<item>
		<title>Glenfiddich Residency 2023</title>
				
		<link>https://lornaphillips.co.uk/Glenfiddich-Residency-2023</link>

		<pubDate>Sun, 17 Sep 2023 20:57:11 +0000</pubDate>

		<dc:creator>Lorna Phillips</dc:creator>

		<guid isPermaLink="true">https://lornaphillips.co.uk/Glenfiddich-Residency-2023</guid>

		<description>
	←

&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/4028c7608920bb229cacb1da2613dd6fc04556ae3c5191fb6c458545f8a6bd6b/DSC00105.jpeg" data-mid="191040176" border="0"  src="https://freight.cargo.site/w/1000/i/4028c7608920bb229cacb1da2613dd6fc04556ae3c5191fb6c458545f8a6bd6b/DSC00105.jpeg" /&#62;
&#60;img width="1200" height="839" width_o="1200" height_o="839" data-src="https://freight.cargo.site/t/original/i/d7ffaed7fa5d7e75cb89db6d6c8f91c6cf0724e9b926696396607cfc60a64be0/DSC00104.jpeg" data-mid="191040177" border="0"  src="https://freight.cargo.site/w/1000/i/d7ffaed7fa5d7e75cb89db6d6c8f91c6cf0724e9b926696396607cfc60a64be0/DSC00104.jpeg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/a8df9c4175d7498eea0dfdea6e9acbdc0e1a028431ea117a77afe2c85e68d6cb/DSC00292.jpeg" data-mid="191040175" border="0"  src="https://freight.cargo.site/w/1000/i/a8df9c4175d7498eea0dfdea6e9acbdc0e1a028431ea117a77afe2c85e68d6cb/DSC00292.jpeg" /&#62;

Glenfiddich Residency2023

	
&#60;img width="1200" height="857" width_o="1200" height_o="857" data-src="https://freight.cargo.site/t/original/i/26e45fc96455618383138ac37477702353cfbff94ebfd74bd4156002328d577d/DSC01087-1.jpeg" data-mid="191040992" border="0" alt="The Cabrach, catching. Ceramic glazed in Dufftown clay." data-caption="The Cabrach, catching. Ceramic glazed in Dufftown clay." src="https://freight.cargo.site/w/1000/i/26e45fc96455618383138ac37477702353cfbff94ebfd74bd4156002328d577d/DSC01087-1.jpeg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/28c0ca73e9c651cb60997777e3c155f34d85dc2a902b189ebaad61109d148f26/DSC01101-1.jpeg" data-mid="191241190" border="0" alt="Tower of Silence. Ceramic glazed in Dufftown clay." data-caption="Tower of Silence. Ceramic glazed in Dufftown clay." src="https://freight.cargo.site/w/1000/i/28c0ca73e9c651cb60997777e3c155f34d85dc2a902b189ebaad61109d148f26/DSC01101-1.jpeg" /&#62;
&#60;img width="1200" height="857" width_o="1200" height_o="857" data-src="https://freight.cargo.site/t/original/i/2625b84a62f30ca66cf637f9c0b78cca5d1eedee0678f715a13dd7b36b8474f4/DSC01107.jpeg" data-mid="191041000" border="0" alt="Ben Rinnes, between. Ceramic glazed in Dufftown clay." data-caption="Ben Rinnes, between. Ceramic glazed in Dufftown clay." src="https://freight.cargo.site/w/1000/i/2625b84a62f30ca66cf637f9c0b78cca5d1eedee0678f715a13dd7b36b8474f4/DSC01107.jpeg" /&#62;
&#60;img width="1200" height="830" width_o="1200" height_o="830" data-src="https://freight.cargo.site/t/original/i/d2f9a2130d01e749a9ec71750f5e7cb5b296646c99aa55a60145a445263d19cd/DSC01098.jpeg" data-mid="191040997" border="0" alt="Left to right: Ben Rinnes, between, Tower of Silence, The Cabrach, catching." data-caption="Left to right: Ben Rinnes, between, Tower of Silence, The Cabrach, catching." src="https://freight.cargo.site/w/1000/i/d2f9a2130d01e749a9ec71750f5e7cb5b296646c99aa55a60145a445263d19cd/DSC01098.jpeg" /&#62;



The Cabrach, catching, Tower of Silence, Ben Rinnes, between
Ceramic glazed in Dufftown clay
These forms came from looking into the history of the landscape and the relationship between place and community. Part of this was researching the prehistoric beliefs of local people, exploring underworlds and special places. One of these places being the Cabrach which is an area of moors that sits above Dufftown, it's burns feeding many an illicit whisky still over the years. Reckoned to be the birthplace of malt whisky, it is a wild place with a beautiful landscape and long history. Overlaps also appeared between ancient practices in Moray and those of Zoroastrian cultures. These various strands came together in an investigation into the relationships between earth, water and fire within place and anthropology.




&#60;img width="799" height="1200" width_o="799" height_o="1200" data-src="https://freight.cargo.site/t/original/i/b4ca84eedb3fcf2d30c8d4c07c7a1c00dd49070abc188d50b78f299e0c280e0e/DSC01298.jpeg" data-mid="191039098" border="0"  src="https://freight.cargo.site/w/799/i/b4ca84eedb3fcf2d30c8d4c07c7a1c00dd49070abc188d50b78f299e0c280e0e/DSC01298.jpeg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/edf367f55edf14ddbdbf112f34a8e80d296efe3389b7d51bd2b6fd6bc464e848/DSC01399.jpeg" data-mid="191039119" border="0"  src="https://freight.cargo.site/w/1000/i/edf367f55edf14ddbdbf112f34a8e80d296efe3389b7d51bd2b6fd6bc464e848/DSC01399.jpeg" /&#62;


	
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&#60;img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/029026055d9840793288584a416301bececbe4f78043ceb12195619e11dbd709/DSC01312.jpeg" data-mid="191039103" border="0"  src="https://freight.cargo.site/w/800/i/029026055d9840793288584a416301bececbe4f78043ceb12195619e11dbd709/DSC01312.jpeg" /&#62;
&#60;img width="867" height="1200" width_o="867" height_o="1200" data-src="https://freight.cargo.site/t/original/i/ac38d1eac4802a2f721ae2714a520552ed9962e579e4ce9ef34412dbe89ff009/DSC01317.jpeg" data-mid="191039105" border="0"  src="https://freight.cargo.site/w/867/i/ac38d1eac4802a2f721ae2714a520552ed9962e579e4ce9ef34412dbe89ff009/DSC01317.jpeg" /&#62;
&#60;img width="1200" height="861" width_o="1200" height_o="861" data-src="https://freight.cargo.site/t/original/i/3b24e21b7d80dcccc60aa9cc4c20054c249a8230b864a20df8466429b2d55627/DSC01316.jpeg" data-mid="191039104" border="0"  src="https://freight.cargo.site/w/1000/i/3b24e21b7d80dcccc60aa9cc4c20054c249a8230b864a20df8466429b2d55627/DSC01316.jpeg" /&#62;
&#60;img width="960" height="1200" width_o="960" height_o="1200" data-src="https://freight.cargo.site/t/original/i/e77cf7f5cf4512e934e61b514fa3da348f935641392017aefd687180a2e5b828/DSC01326.jpeg" data-mid="191039107" border="0"  src="https://freight.cargo.site/w/960/i/e77cf7f5cf4512e934e61b514fa3da348f935641392017aefd687180a2e5b828/DSC01326.jpeg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/6070bfe898e4955003257c2a7d44a89a492bd0b1f278ff9a592ef220e51e6654/DSC01336.jpeg" data-mid="191039112" border="0"  src="https://freight.cargo.site/w/1000/i/6070bfe898e4955003257c2a7d44a89a492bd0b1f278ff9a592ef220e51e6654/DSC01336.jpeg" /&#62;
&#60;img width="812" height="1200" width_o="812" height_o="1200" data-src="https://freight.cargo.site/t/original/i/d4d76803511ce853da0edfd75f25ce94a21d8926fb049bec10067bdcacf735c6/DSC01331.jpeg" data-mid="191039109" border="0"  src="https://freight.cargo.site/w/812/i/d4d76803511ce853da0edfd75f25ce94a21d8926fb049bec10067bdcacf735c6/DSC01331.jpeg" /&#62;
&#60;img width="1200" height="812" width_o="1200" height_o="812" data-src="https://freight.cargo.site/t/original/i/7d2fb834fe48a99c0cccd14d31725927bddbe49deaa2fcd8a8a1c429994ff0b0/DSC01340.jpeg" data-mid="191039115" border="0"  src="https://freight.cargo.site/w/1000/i/7d2fb834fe48a99c0cccd14d31725927bddbe49deaa2fcd8a8a1c429994ff0b0/DSC01340.jpeg" /&#62;





Dufftown Quaichs&#38;nbsp;

Dufftown clay
A series of quaichs made from the clay that sits close to the banks of the River Fiddich. 
The spirit of the place drank from the fired earth of the place by those at the Glenfiddich exhibition opening.&#38;nbsp;Andy Fairgrieve, curator of the residency, dished out the whisky and toasted “Tae us”.
Quaich is a Scots rendering of the Gaelic word “cuach” (meaning cup). A quaich is a traditional Scottish bowl.Evolving throughout history the vessel is now most commonly used for drinking whisky or the like, drunk from at special occassions, to welcome or to bid farewell. The quaich has been known as the “Loving Cup” or the “Cup of Friendship”, a gift, a way of sharing, and showing trust to those you are with (through the two handles keeping both hands occupied).&#38;nbsp;
Combining an investigation into the history of the community, and the mystery and alchemy of the Spey landscape within a culturally important vessel.


&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/ce015bce517a12b939925cb1efe1360dc27957cd1a7eef749811ed293e9c9023/DSC01371.jpg" data-mid="191040235" border="0"  src="https://freight.cargo.site/w/1000/i/ce015bce517a12b939925cb1efe1360dc27957cd1a7eef749811ed293e9c9023/DSC01371.jpg" /&#62;
&#60;img width="1200" height="814" width_o="1200" height_o="814" data-src="https://freight.cargo.site/t/original/i/186fa47dd0ecdfb01a94ed6d81da89e27780c7c2d64dbea46f8a2c7d7a630a24/DSC01414.jpeg" data-mid="191040239" border="0"  src="https://freight.cargo.site/w/1000/i/186fa47dd0ecdfb01a94ed6d81da89e27780c7c2d64dbea46f8a2c7d7a630a24/DSC01414.jpeg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/86af36c55e5b49658ad0733e29625c03c747fd75ae05ad081efeb02af0ce133d/DSC01419.jpeg" data-mid="191040240" border="0"  src="https://freight.cargo.site/w/1000/i/86af36c55e5b49658ad0733e29625c03c747fd75ae05ad081efeb02af0ce133d/DSC01419.jpeg" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/b33529c4246ddea0be581c8586ac905773c268c7b6b1ac09aa7624d9d27f6464/DSC01380.jpeg" data-mid="191040236" border="0"  src="https://freight.cargo.site/w/1000/i/b33529c4246ddea0be581c8586ac905773c268c7b6b1ac09aa7624d9d27f6464/DSC01380.jpeg" /&#62;




Glenfiddich, Valley of the Deer&#38;nbsp;
Ceramic glazed in Dufftown clay
Glenfiddich, Gleann Fhiodhaich, meaning valley of the deer. This form is a continuation of my exploration of landscape and vessel, and how those two things intertwine.
The geographic strata created on the top plane of the sculpture resulted from experimentation with the local clay’s behaviour.


</description>
		
	</item>
		
		
	<item>
		<title>RSA New Contemporaries 2023</title>
				
		<link>https://lornaphillips.co.uk/RSA-New-Contemporaries-2023</link>

		<pubDate>Sun, 16 Apr 2023 17:24:57 +0000</pubDate>

		<dc:creator>Lorna Phillips</dc:creator>

		<guid isPermaLink="true">https://lornaphillips.co.uk/RSA-New-Contemporaries-2023</guid>

		<description>
	←

RSA New Contemporaries
2023





	
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A series of seven pairs; seven ceramic sculptures paired with seven drawings. 
Made with support from Edinburgh Sculpture Workshop’s Project Spaces.
Awarded Glenfiddich Residency Prize.




Exhibition text:



This body of work is an investigation into ground, support, and what it means to hold and be held. Undulating valleys and sloping moors provide the canvas for these ideas. Each piece has been produced in collaboration with the artist’s father, Joseph Phillips. A joiner by trade, Joe has built the wooden plinths that support each sculpture. The sculptural vessels explore landscape as something that we live within and from. They portray hills as forms that encapsulate belonging, foundation and an unwavering certainty and yet unpredictability in their wildness. The hills can be seen as both a powerful mass to live in the shadows of, and as a home to be held by.Titles
Drawings
1a. Bettyhill Cove, Highlands2a.Thornhill, Galloway&#38;nbsp;3a. Kunda Clay Mine, Estonia4a. Kaali Meteorite Crater, Estonia5a. Surprise View, Yorkshire6a. The Hill Fort near Monreith, Galloway 7a. Castlelaw Hill Fort, Pentlands


Ceramic
1b. Cove
2b.Valley
3b. Mine4b. Crater5b. Dale6b. Refuge7b. Sheltered Horizon

</description>
		
	</item>
		
		
	<item>
		<title>Graduation Project   2020-2021</title>
				
		<link>https://lornaphillips.co.uk/Graduation-Project-2020-2021</link>

		<pubDate>Fri, 25 Dec 2020 23:20:34 +0000</pubDate>

		<dc:creator>Lorna Phillips</dc:creator>

		<guid isPermaLink="true">https://lornaphillips.co.uk/Graduation-Project-2020-2021</guid>

		<description>
	←

	Graduation Project
2020 - 2021

First Class Sculpture BA (Hons), Edinburgh College of Art.

Awarded the Clason-Harvie Bursary. 
Selected for RSA New Contemporaries 2023.


29/09/21




“establishing
an understanding of not only the application but the sourcing of
material.”











“I
hope to create sculpture that is quiet and thorough.”




	
 
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&#60;img width="1048" height="924" width_o="1048" height_o="924" data-src="https://freight.cargo.site/t/original/i/dc64c9ec0530e6117abaa4db525679f8bfc641c1fa51cf3428e61b262881c4cd/Screenshot-2021-06-16-at-16.10.54.png" data-mid="111528857" border="0"  src="https://freight.cargo.site/w/1000/i/dc64c9ec0530e6117abaa4db525679f8bfc641c1fa51cf3428e61b262881c4cd/Screenshot-2021-06-16-at-16.10.54.png" /&#62;

	

&#60;img width="1200" height="900" width_o="1200" height_o="900" data-src="https://freight.cargo.site/t/original/i/fa27c5f02e435602fbd421e5ae98f05885c03977e7950c74dd418ab9a0fe53f6/IMG_2142.JPG" data-mid="110892576" border="0" data-scale="94" alt="'The Kunda Pair- Lipped Vessel', 2020, Ceramic." data-caption="'The Kunda Pair- Lipped Vessel', 2020, Ceramic." src="https://freight.cargo.site/w/1000/i/fa27c5f02e435602fbd421e5ae98f05885c03977e7950c74dd418ab9a0fe53f6/IMG_2142.JPG" /&#62;
The Kunda Pair - Lipped Vessel, 2020, Ceramic.
The sourcing of material from an area of
landscape formed my practice. Geological and archaeological papers have informed my actions. Working with clay through all it’s stages holds an
essential weight in my sculptural approach.







The landscape of Estonia was new to me.
To be able to navigate this place and find the material key to my practice I
had to learn of it’s geology. I discovered the Cambrian seam. This
seam runs along the North Coast and is around 500 million years old. It was
formed during one of the most influential evolutionary periods to the
development of the human species (Marshall C. R. 2006).


















Finding and digging the first piece of
Cambrian clay at Kunda was the beginning of this project.



18/11/2020
“Through analysis it has been found that
when these women moved to a new place they took with them crushed sherds of
pottery from their homeland, from the generations before them. ... Allowing for
their work to carry time upon time. Working containing the work of those before
is again carried into new work and so on and so on”


	
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&#60;img width="750" height="716" width_o="750" height_o="716" data-src="https://freight.cargo.site/t/original/i/c07a9f4838902420f38728847bbf3155b6ee9b0495ec11a91dff6db8cb82ab86/Screenshot-2021-06-16-at-16.54.40.png" data-mid="111536359" border="0"  src="https://freight.cargo.site/w/750/i/c07a9f4838902420f38728847bbf3155b6ee9b0495ec11a91dff6db8cb82ab86/Screenshot-2021-06-16-at-16.54.40.png" /&#62;
&#60;img width="900" height="1350" width_o="900" height_o="1350" data-src="https://freight.cargo.site/t/original/i/165c4a79cf54e41fd967291387f2bb8965b7375496c4c2c428d07cb02c166f61/IMG_1402.JPG" data-mid="111532278" border="0" alt="Lorna Phillips, 'Kunda Cement from Hiiem&#38;auml;gi', 2021, Photograph." data-caption="Lorna Phillips, 'Kunda Cement from Hiiemägi', 2021, Photograph." src="https://freight.cargo.site/w/900/i/165c4a79cf54e41fd967291387f2bb8965b7375496c4c2c428d07cb02c166f61/IMG_1402.JPG" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/43c5c1c2a19e7cd609ea050aee6a3ce01b755c31c0497f6776a8e2184aed15f2/_04A5391.JPG" data-mid="111532279" border="0" alt="Ali Madani, 'Kunda Cement Factory at sundown', 2020, Photograph." data-caption="Ali Madani, 'Kunda Cement Factory at sundown', 2020, Photograph." src="https://freight.cargo.site/w/1000/i/43c5c1c2a19e7cd609ea050aee6a3ce01b755c31c0497f6776a8e2184aed15f2/_04A5391.JPG" /&#62;


	


The Kunda Pair, 2020, Digital Film of Installation, 5 minutes 38 seconds,
(full version available at: https://youtu.be/yd2LFpI_OSs ), Filming by Ali Madani.The empty ancient lakebed that is the present-day land of Kunda is the starting point for this body of work. The traces of the lake and its inhabitants are entered into conversation with, through the materials and forms present. The river is the remaining artery that continues to flow through the land. Prehistoric artefacts have been preserved in the peatlands and mounds that have formed through the evolution of the landscape. The clay of Kunda continues to be mined. The relationship between the waterways of Estonia and the mining industry have heavily impacted the political and social identity of the land’s inhabitants.


The waterways of Estonia have
played an influential role in the country’s social history and culture.



The past and current presence of water
and extensive mining in the area of Kunda has resulted in it holding several
important historical contributions to the evolution of Estonia’s people. Notably, the Phosphorite War, spurred by the threat of mining polluting a key watershed and changing the demographic, contributed extensively to the re-independence movement of Estonia, resulting in it’s freedom from Soviet rule in 1990.









29/04/21






“After
installing I walked away. ... I thought about the empty space that the lidded
box held within it, that was now existing under and within the earth of the old
island, for however long before it dissolves and collapses in on itself.”










“walking
down the slopes of the hill, being able to feel the gradient through my bodies
reaction to it, how steep or shallow it was. I have rarely felt such a
fascination and curiosity for a specific hill.”











	


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&#60;img width="970" height="852" width_o="970" height_o="852" data-src="https://freight.cargo.site/t/original/i/852b8dc39687f01b02a9c9de4112c9896deda452d916963e2d8747c9aa8a7243/Screenshot-2021-06-16-at-17.26.36.png" data-mid="111539399" border="0"  src="https://freight.cargo.site/w/970/i/852b8dc39687f01b02a9c9de4112c9896deda452d916963e2d8747c9aa8a7243/Screenshot-2021-06-16-at-17.26.36.png" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/69fd429ad19c32c9a6cca12960d303597f46f870de82898242a7363505b883fc/IMG_1453.JPG" data-mid="111539608" border="0" alt="Lorna Phillips, 'Installed Pot for Hiiem&#38;auml;gi in the grass', Installation, 2021." data-caption="Lorna Phillips, 'Installed Pot for Hiiemägi in the grass', Installation, 2021." src="https://freight.cargo.site/w/1000/i/69fd429ad19c32c9a6cca12960d303597f46f870de82898242a7363505b883fc/IMG_1453.JPG" /&#62;
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Votive offerings have been made to the
wetlands of Kunda in the past, treating water bodies and earth as
transcendental spaces, paths into the afterlife, a medium of connection between
our world and the greater powers.&#38;nbsp; 

















A key intention in my practice was to
find a way for the vessels I make to be held. Initially I presumed this would
have to be a built structure. I realised that the structures that
have always held the pots are people. Until they are left, and then they are
held by the landscape.Another site of an installation, Hiiemägi, travelled to on foot, once held the lake of Kunda in. The remains of its
burial grounds are crumbling into the quarried basin. It’s name translates to
sacred hill.


	

A Pot for a Mound on Hiiemägi, 2021, Digital Film of Installation, 2 minutes 42 seconds.
In their
migration their traces are scattered. Engaging with the history of potters from the
earliest human settlers on the land. The stories of these women and their
journeys over the Baltic Sea. Encountering the land as a container of knowledge, history, lives
passed and continuing.

The Lammasmägi Burial, 2021, Digital Film of Installation, 2 minutes 11 seconds.
Sacred places, collapsing burial grounds, and past islands that
are now sloping hills in flatlands. Searching, touching, digging, and through it finding a
sensitivity and a deep sense of care.

























01/12/20




“It
has taken me a while to find the meeting point of function and expression in
pottery in a way that is not overstating in any way that might be naive or
unnecessary. I have been looking for a modesty, an understatement ...”
22/01/21




“The
work is now out into people’s homes all around Estonia. I feel very warmly
about this. It could really be felt how much people are connected to the land
of this place.”


















	


&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/c10f0a0e5da68da89bfb1bd696ddf075166c7f4fe27a3ee1acd343bf42bd70b4/Phillips_Lorna_Kunda_Thank-you_-2021_05_05_032.jpeg" data-mid="110895361" border="0" alt="'Thank you', 2021, Ceramic." data-caption="'Thank you', 2021, Ceramic." src="https://freight.cargo.site/w/1000/i/c10f0a0e5da68da89bfb1bd696ddf075166c7f4fe27a3ee1acd343bf42bd70b4/Phillips_Lorna_Kunda_Thank-you_-2021_05_05_032.jpeg" /&#62;
&#60;img width="2000" height="1166" width_o="2000" height_o="1166" data-src="https://freight.cargo.site/t/original/i/3556c25050dc1311d24bff18b424ec4c0adef58eb2071efd1c053c18b6004d95/Phillips_Lorna_Kunda_Thank-you_-2021_05_05_031.JPG" data-mid="110895362" border="0" alt="'Thank you', 2021, Ceramic." data-caption="'Thank you', 2021, Ceramic." src="https://freight.cargo.site/w/1000/i/3556c25050dc1311d24bff18b424ec4c0adef58eb2071efd1c053c18b6004d95/Phillips_Lorna_Kunda_Thank-you_-2021_05_05_031.JPG" /&#62;


There are gestures
of gratitude in the work. 








 
Lucie Rie’s moon jar was brought from
Korea by Bernard Leach, “a gift to a deeply-loved friend” (Olding, 2017). Travelling
through many lives and exchanges it is a form that embodies the anonymous
craftsman and subdued beauty, continuing to hold an emotional message after the
passings of both Rie and Leach.




	
&#60;img width="796" height="993" width_o="796" height_o="993" data-src="https://freight.cargo.site/t/original/i/c3d3a2330e5bb92b67bf0af5e2c03c7b8ee13e44c9234e2c114036fd807ddf2f/IMG_2372.JPG" data-mid="110893213" border="0" alt="'Held Untitled Cup 1', 2020, Ceramic." data-caption="'Held Untitled Cup 1', 2020, Ceramic." src="https://freight.cargo.site/w/796/i/c3d3a2330e5bb92b67bf0af5e2c03c7b8ee13e44c9234e2c114036fd807ddf2f/IMG_2372.JPG" /&#62;
&#60;img width="1200" height="900" width_o="1200" height_o="900" data-src="https://freight.cargo.site/t/original/i/5519e9f434215d45f8da7137e25992eb9f6b2cd4f72c36f46c37a8d385673342/IMG_2317-2.JPG" data-mid="110893217" border="0" alt="'Details of Kunda and Lahemaa Pots', 2020, Ceramic." data-caption="'Details of Kunda and Lahemaa Pots', 2020, Ceramic." src="https://freight.cargo.site/w/1000/i/5519e9f434215d45f8da7137e25992eb9f6b2cd4f72c36f46c37a8d385673342/IMG_2317-2.JPG" /&#62;
&#60;img width="968" height="902" width_o="968" height_o="902" data-src="https://freight.cargo.site/t/original/i/72d26016326afde876bc79a55e1798d1ef701507895ccc9262732fb1fdd62bc9/IMG_2348-2.JPG" data-mid="110893211" border="0" alt="'Lahemaa Vases Details', 2020, Ceramic." data-caption="'Lahemaa Vases Details', 2020, Ceramic." src="https://freight.cargo.site/w/968/i/72d26016326afde876bc79a55e1798d1ef701507895ccc9262732fb1fdd62bc9/IMG_2348-2.JPG" /&#62;
&#60;img width="1290" height="719" width_o="1290" height_o="719" data-src="https://freight.cargo.site/t/original/i/bbc2968504a64bfb92cc557a9c82c3c74fb386efcecbe8ca8c7afa0eb0132b2d/Phillips_Lorna_Kunda_Installed-Kunda-and-Lahemaa-Pots_2020_12_20_033.jpg" data-mid="110893262" border="0" alt="'Installed Kunda and Lahemaa Pots', 2020, Installation, Photography by Harry Tenebaum." data-caption="'Installed Kunda and Lahemaa Pots', 2020, Installation, Photography by Harry Tenebaum." src="https://freight.cargo.site/w/1000/i/bbc2968504a64bfb92cc557a9c82c3c74fb386efcecbe8ca8c7afa0eb0132b2d/Phillips_Lorna_Kunda_Installed-Kunda-and-Lahemaa-Pots_2020_12_20_033.jpg" /&#62;




The wild
clays are dug, carried, and re-distributed.&#38;nbsp; Works return to their source.



&#60;img width="720" height="814" width_o="720" height_o="814" data-src="https://freight.cargo.site/t/original/i/b16d08a1643c5af33cb630b36ccfce44e69c88b8fd587455d8a1322d0025a7dd/Screenshot-2021-06-17-at-11.02.05.png" data-mid="111604322" border="0"  src="https://freight.cargo.site/w/720/i/b16d08a1643c5af33cb630b36ccfce44e69c88b8fd587455d8a1322d0025a7dd/Screenshot-2021-06-17-at-11.02.05.png" /&#62;

























12/10/20




“From
my journey and my carrying I feel an emotional attachment and engagement to the
material. The memory and physicality of sourcing it provides me with a full
understanding, not only of the clay itself but of the landscape that I am in
and interacting with.” 














&#38;nbsp;











28/04/21






“There
is absolutely no one up there. The moor runs and runs until there is a sharp
drop, and after that large flat fields of farm land. It catches all of the wind
coming in off of the sea up there."








	









&#60;img width="946" height="858" width_o="946" height_o="858" data-src="https://freight.cargo.site/t/original/i/4ec4a7da07a3769d26b1384f90cfa55c0c108748baf0475cbd9b6cc915479945/Screenshot-2021-06-17-at-11.49.29.png" data-mid="111607589" border="0"  src="https://freight.cargo.site/w/946/i/4ec4a7da07a3769d26b1384f90cfa55c0c108748baf0475cbd9b6cc915479945/Screenshot-2021-06-17-at-11.49.29.png" /&#62;
&#60;img width="914" height="898" width_o="914" height_o="898" data-src="https://freight.cargo.site/t/original/i/10df50d6c874d65f1ca9aab9969af4c2881eb837dcb820a05a742aa7d0938226/Screenshot-2021-06-17-at-11.49.19.png" data-mid="111607590" border="0"  src="https://freight.cargo.site/w/914/i/10df50d6c874d65f1ca9aab9969af4c2881eb837dcb820a05a742aa7d0938226/Screenshot-2021-06-17-at-11.49.19.png" /&#62;

The
short film Water
and Land expresses through words, making, and the environment of installation
sites, the relationship between my actions, and my research. It captures the
experiences of walking through the place as I learn and make around it. It
serves as both a finished work and a demonstration of my research practice. 
















The approach towards my practice has taken
the form of a residency. I have learnt about my new environment
through making and researching. The changes in circumstances of this year have
not been easy. But it has resulted in a body of work that is in motion,
actively moving through it’s installation.








 




	

Water and the Land, 2021, Digital Film, 12 minutes, 19 seconds.




Biographies
are found, created, and remembered through the clay. The land is shown to be
something at the very heart of human existence.&#38;nbsp;






To look for understandings of unknown environments through the
geology and archaeology of the land.





&#60;img width="938" height="688" width_o="938" height_o="688" data-src="https://freight.cargo.site/t/original/i/6b02e4f225d39293cd47a3b64a4b23021228df855771f8ad437fb7fcf8aabd29/Screenshot-2021-06-17-at-11.49.53.png" data-mid="111607588" border="0"  src="https://freight.cargo.site/w/938/i/6b02e4f225d39293cd47a3b64a4b23021228df855771f8ad437fb7fcf8aabd29/Screenshot-2021-06-17-at-11.49.53.png" /&#62;
&#60;img width="964" height="704" width_o="964" height_o="704" data-src="https://freight.cargo.site/t/original/i/458f62c606393375e48f8c478699e30e70b48da6a9c84fce3bbc662a55d23e18/Screenshot-2021-06-17-at-11.53.17.png" data-mid="111607663" border="0"  src="https://freight.cargo.site/w/964/i/458f62c606393375e48f8c478699e30e70b48da6a9c84fce3bbc662a55d23e18/Screenshot-2021-06-17-at-11.53.17.png" /&#62;



	























08/05/21




“When
you look in from the top, the space inside is like looking into a giant pit,
like falling off a cliff into a deep lagoon. ... The drop over edge of the rim
into the big empty belly.”


















28/04/21




“The
grass on Hiiemägi was flattened into waves by the wind. The only things upright
were trees and twigs. The curves of the grass perfectly summed up the way that
the wind moves over the form of this piece of land. ...
with
the passing of these trees the land has been sculpted in another way.”



















Artist’s blog from the beginning of their residence in Estonia, through the winter and into the spring, providing a way to capture the movements and moments. The writing of the blog became essential to the research and process of practice.

Art Practice Blog:&#38;nbsp;
https://blogs.ed.ac.uk/s1750230_art-practice-4-2020-2021yr/






The work Kunda Pair is paired with a piece of writing, A Life of Clay, that explores the material of Estonian Cambrian clay through the lens of an object biography. The narratives and research involved in this writing are&#38;nbsp; intertwined with the making and installation of the work.


 

&#60;img width="1190" height="1684" width_o="1190" height_o="1684" data-src="https://freight.cargo.site/t/original/i/b89cd65f034b85e77a66502a17c0507d45a30e41309b0815ef2638eb38e70a4a/1.jpg" data-mid="100512796" border="0" data-scale="52" src="https://freight.cargo.site/w/1000/i/b89cd65f034b85e77a66502a17c0507d45a30e41309b0815ef2638eb38e70a4a/1.jpg" /&#62;
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	<item>
		<title>100 Cups    2019</title>
				
		<link>https://lornaphillips.co.uk/100-Cups-2019</link>

		<pubDate>Sat, 31 Oct 2020 20:43:32 +0000</pubDate>

		<dc:creator>Lorna Phillips</dc:creator>

		<guid isPermaLink="true">https://lornaphillips.co.uk/100-Cups-2019</guid>

		<description>

	←



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100 Cups
2019&#38;nbsp; &#38;nbsp; Collaborative Installation

Solo exhibition while on Erasmus exchange at the Estonian Academy of Arts in Vent Space Gallery, Vabaduse Väljak, Tallinn.
Two tables, one with 50 black cups, the other with 50 red, all hand-thrown by the artist. As people entered they chose a cup, drank from it, then placed it somewhere. The cups mixed and scattered through touch and conversation.



Where the cups were left by those who came was the exhibition for the remaining period. Traces left of human interaction and play.


Curator: Nele Tiidelepp
Photography by Anita Moser and Noyli Hood







Interview by Kerly Ritval 2019:

 
https://www.artun.ee/en/interview-with-lorna-phillips-2/ 
“Kerly: Where came this idea to make 100 cups? Lorna: It was 101 actually, even though, it was called 100. It was a lie....”
...
“Kerly: But, since you have moved so much, then there are these things, you carry with you, what are always with you and then the things start to be your home. Lorna: Yeah, we have always had the same bed sheets. The same weird floral green and pink patterns on the bed sheets....”

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